This is part of a series of posts with a scene-by-scene critique, appreciation, and improvement of the 1986 TSR module B10, Night's Dark Terror.
Neolithic ruins at Ҫatalhöyük - an inspiration? World History Encyclopedia. |
First, though, there's a logical course of action for Golthar that the module authors missed. Stephan's capture creates a stalemate: the wizard knows that the tapestry he seeks belongs to his captive's family, but the strongest army he could command failed to take it by force. Why doesn't he just let the family know (by a message wrapped around an arrow shot into the front gate of the homestead) that he has Stephan and is willing to trade him for the tapestry? He'll try to disguise his intentions by asking for both tapestries in the hall, the secret map one and the one of a horse, passing the request off as a consolation trophy in acknowledgement that he was defeated, a small price to strike a peace. He'll also be explicit that any attempt to ambush the exchange or rescue Stephan will result in the captive's death. Such threats, for adventurers, were made to be ignored. But if the heroes do let the exchange go ahead, they will have more leeway to attack Golthar in stages. Not infinite leeway; the wizard will likely leave Xitaqa to mount his own expedition to the Lost Valley a few days after learning of its secret.
Some editing is also needed to have the defenders of the ruined village make sense. As Loshad told the party before the werewolf fight, creatures leave their lair during the active period -- but this isn't reflected in the three groups inhabiting Xitaqa, and we're led to believe that bats are active in the day. Here's a more sensible disposition of Xitaqa's home team that, incidentally, gives the infiltrators a bit more of a chance.
1. The baboons are massed and awake around dawn and dusk. By day most of them fan out into the hills around the ruins looking for forage. Only 5-8 apes -- those that are injured, unwell, old, or caring for very young ones -- stand guard on the top level of the canyons, but they will make noise if they sense strangers approaching. By night the baboons are all at home and have holed up in their designated building lairs, with only 2-3 insomniacs keeping watch up top.
2. The goblins sleep indoors by day, with a patrol as described going through the canyons - perhaps with makeshift parasols if the day is sunny? By night most of the goblins go hunting, and 12 or so of them are left doing various household tasks, going through the streets in groups of 1d4 individuals.
3. The bats from the tower flit around by night and will harass the party if they hear strangers moving about above the canyons. Fortunately, any fight with bats does not need to make noise as their screeches are infrasonic, and the combat will only be noticed within a range of 30' by creatures moving in the canyons below.
4. Don't forget the mounted Iron Ring operatives who lair in the ruins. They ride out in the morning to patrol the area between the hills and the river, and at night can be found in the tower, leaving their horses in the stable building S.
5. Finally, there is the retinue of Vlack, and these hobgoblin soldiers watch the entrance to the tower at X4 night and day, a pair of them on the steps in front of the double doors.
From these dispositions it becomes clear that the party will have a hard time sneaking up to the tower, but if they do so it should be at night, given the limited range of goblins' dark vision. A single alarm going up will likely alert the whole complex, and although goblin squads will likely arrive in dribs and drabs, the graver threat to the mission is Golthar being alerted by his hobgoblin lieutenant Vlack. All the same, there is a plausible sequence of events that makes the rescue of Stefan a possibility, if a difficult one...
The next two episodes will focus on the rooms in the base and the main part of the tower. They involve much speculation beyond the "facts" in the adventure as written, helping to add weight to what the Hutaakans were up to and weave a golden thread of meaning through the players' encounters with their artifacts.
This comment is very detailed and offers interesting observations about the logic and gameplay of the module. I look forward to seeing the rest of the content and how you improve and enrich the module.
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